Hiraṇyagarbha

6:58 PM | BY ZeroDivide EDIT
One Brahmāṇḍa, with Garbhodakaśāyī-Viṣṇu
Click an area to go there. This is one of many material universes, Brahmāṇḍa, which expand from Mahā Viṣṇu when He breathes.
Hiraṇyagarbha (Devanagari: हिरण्यगर्भः ; literally the 'golden womb' or 'golden egg', poetically rendered 'universal germ') is the source of the creation of the Universe or the manifestedcosmos in Indian philosophy,[1] it finds mention in one hymn of the Ṛigveda (RV 10.121), known as the 'Hiraṇyagarbha Sūkta', suggesting a single creator deity(verse 8: yo deveṣv ādhi devā eka āsīt, Griffith:"He is the God of gods, and none beside him."), in the hymn identified as Prajāpati The concept golden womb is again mentioned in Viswakarma suktha Rg 10-82.
The Upaṇiṣad calls it the Soul of the Universe or Brahman,[2]and elaborates that Hiraṇyagarbha floated around in emptiness and the darkness of the non-existence for about a year, and then broke into two halves which formed theSvarga and the Pṛthvi.
In classical Purāṇic Hinduism, Hiraṇyagarbha is a name ofBrahmā, so called because he was born from a golden egg (Manu Smṛti 1.9), while the Mahābhārata calls it the Manifest.[3]
Post-classical yoga traditions consider Hiranyagarbha as the originator of yoga.[4][5]

Creation[edit]

Matsya Purāṇa (2.25-30) gives an account of initial creation. After Mahāprālaya, the great dissolution of the Universe, there was darkness everywhere. Everything was in a state of sleep. There was nothing, either moving or static. Then Svayambhu, Self-manifested Being arose, which is a form beyond senses. It created the primordial waters first and established the seed of creation into it. The seed turned into a golden womb, Hiraṇyagarbha. Then Svayambhu entered in the egg.
The Nārāyaṇa Sūkta exclaims that everything that is, visible or invisible, all this is pervaded by Nārāyaṇa within and without.
The Īśvara Upaniṣad says that the universe is pervaded by Īśvara (God), who is both within and without it. He is the moving and the unmoving, He is far and near, He is within all these and without all these.
The Vedānta Sūtra further states that Brahman is That from Whom this Universe proceeds, in Whom it subsists, and to Whom, in the end, it returns.
The Saṃkhya school holds that there are only two primary principles, Puruṣa and Prākṛti, and creation is only a manifestation or evolution of the constituents of Prākṛti due to the action of Puruṣa's Consciousness.
The Bhagavata states that Nārāyaṇa alone was in the beginning, who was the pious of principles of creation, sustenance, and dissolution (also known as the Hindu Trinity of BrahmāViṣṇu and Śiva) - the Supreme Hari, multi-headed, multi-eyed, multi-footed, multi-armed, multi-limbed. This was the Supreme Seed of all creation, subtler than the subtlest, greater than the greatest, larger than the largest, and more magnificent than even the best of all things, more powerful, than even the wind and all the gods, more resplendent than the Sun and the Moon, and more internal than even the mind and the intellect. He is the Creator, the Father Supreme.
The Manu Smriti says: In the beginning, all this existence was one undifferentiated, unmanifested, indefinable, unarguable and unknown in every way. From this condition arose the Universe of 'name and form' (Sanskrit: nāmarūpa), through the medium of the Self-existent Creator, Svayambhu.

Adam Kadmon

5:20 PM | BY ZeroDivide EDIT
Adam Kadmon is a phrase in the religious writings of Kabbalah meaning "original man". The oldest mainstream rabbinicsource for the term Adam ha-Ḳadmoni is Numbers Rabbah x., where Biblical Adam is styled, not as usually Ha-Rishon ("the first"), but "Ha-Kadmoni" ("the original"). In Kabbalah, Adam Kadmon ("above") is the first of the comprehensive Five spiritual Worlds in creation, distinguished from Biblical Adam Ha-Rishon ("below"), who included within himself all future human souls before the sin of the Tree of Knowledge. The spiritual realm of Adam Kadmon represents the sephirah (divine attribute) ofKeter ("crown"), the specific divine will and plan for subsequent creation.
In the Lurianic systemisation of preceding Kabbalah, the anthropomorphic designation for Adam Kadmon describes its arrangement of the latent future sephirot in the harmonised configuration of man. However, Adam Kadmon itself is divine lightwithout vessels, including all subsequent creation only in potential. This exalted anthropomorphism denotes that man is both the theocentric purpose of future creation, and the anthropocentric embodiment of the divine manifestations on high. This mythopoetic cosmogenesis and anthropogenesis enables the "Adam soul" to embody all human souls: the collective Yechidah("singular") soul essence in Adam Kadmon, and the collective Neshamah ("soul") revealed soul in the Biblical Adam Ha-Rishon in the Garden of Eden.

In Judaism[edit]

Adam Ḳadmon—Diagram illustrating the Sefirot (Divine Attributes). (From Ginsburg, The Kabbalah.)

Kabbalah[edit]

Main articles: Five Worlds and Seder Hishtalshelut
General Worlds
in Kabbalah
Shiviti on vellumTetragrammaton.jpg
A"K
  1. Atziluth
  2. Beri'ah
  3. Yetzirah
  4. Assiah
In KabbalahAdam Kadmon ("primordial man") and Adam HaRishon (the Biblical "first man," Adam) are separate, though inter-related, concepts.
Adam Kadmon (abbreviated as A"K) is a pristine spiritual realm in creation, the first of the comprehensive Five Worlds. It represents Keter ("crown"), the specific divine will for subsequent creation. From Adam Kadmon emerge the following Four Worlds of Atziluth ("emanation"-Chokhmah divine wisdom), Beriah ("creation"-Binahdivine understanding), Yetzirah ("formation"-Tiferet divine emotions) and Assiah ("action"-Malkuth divine kingdom). Due to the transcendence of Adam Kadmon, it is sometimes listed apart from the Four Worlds, each represented by a letter of the Tetragrammaton name of God; Adam Kadmon is represented only by the thorn of the first letter Yodh.
The anthropomorphic name of Adam Kadmon denotes that man below is both the ultimate divine purpose for creation, as well as an embodiment of the Sephirot divine attributes. Adam HaRishon before the sin of the Tree of Knowledge of Good and Evil in Genesis was the supreme essence of contemporary man, his soul including all subsequent souls within it. Adam Kadmon is paradoxically both created ("Adam") and divine ("Kadmon-Primary"), a feature it shares with physical Adam as interpreted in mainstream rabbinic Midrashim. Adam Kadmon is a realm of infinite divine light without vessels, bounded by its future potential to create Existence.
The two versions of Kabbalistic theosophy, the "medieval/classic/Zoharic" (systemised by Moshe Cordovero) and the more comprehensive Lurianic, describe the process of descending worlds differently. For Cordovero, the sephirot and Five Worlds evolve sequentially from the Ein Sof (divine infinity). For Luria, creation is a dynamic process of divine exile-rectification enclothement, where Adam Kadmon is preceded by the Tzimtzum (Divine "withdrawal") and followed by the Shevira ("shattering" of the sephirot).

Zohar[edit]

Closely related to the Philonic doctrine of the heavenly Adam is the Adam Ḳadmon (called also Adam 'Ilaya, the "high man," the "heavenly man") of the Zohar, whose conception of the original man can be deduced from the following passages: "The form of man is the image of everything that is above [in heaven] and below [upon earth]; therefore did the Holy Ancient [God] select it for His own form."[1]
As with Philo the Logos is the original image of man, or the original man, so in the Zohar the heavenly man is the embodiment of all divine manifestations: the ten Sefirot, the original image of man. The heavenly Adam, stepping forth out of the highest original darkness, created the earthly Adam.[2] In other words, the activity of the original essence manifested itself in the creation of man, who at the same time is the image of the heavenly man and of the universe,[3] just as with Plato and Philo the idea of man, as microcosm, embraces the idea of the universe or macrocosm.

Luria[edit]

The conception of Adam Ḳadmon becomes an important factor in the later Kabbalah of Isaac Luria. Adam Ḳadmon is with him no longer the concentrated manifestation of the Sefirot, but a mediator between the En-Sof ("infinite") and the Sefirot. The En-Sof, according to Luria, is so utterly incomprehensible that the older Kabbalistic doctrine of the manifestation of the En-Sof in the Sefirot must be abandoned. Hence he teaches that only the Adam Ḳadmon, who arose in the way of self-limitation by the En-Sof, can be said to manifest himself in the Sefirot. This theory of Luria is treated by Ḥayyim Vital in "'Eẓ Ḥayyim; Derush 'Agulim we-Yosher" (Treatise on Circles and the Straight Line).

Philo[edit]

The first to use the expression "original man," or "heavenly man," was Philo, in whose view the γενικός, or οὐράνιος ἄνθρωπος, "as being born in the image of God, has no participation in any corruptible or earthlike essence; whereas the earthly man is made of loose material, called a lump of clay."[4] The heavenly man, as the perfect image of the Logos, is neither man nor woman, but an incorporeal intelligence purely an idea; while the earthly man, who was created by God later, is perceptible to the senses and partakes of earthly qualities.[5] Philo is evidently combining philosophy and MidrashPlato and the rabbis. Setting out from the duplicate Biblical account of Adam, who was formed in the image of God (Genesis 1:27), and of the first man, whose body God formed from the earth (Genesis 2:7), he combines with it the Platonic doctrine of ideas; taking the primordial Adam as the idea, and the created man of flesh and blood as the "image." That Philo's philosophic views are grounded on the Midrash, and not vice versa, is evident from his seemingly senseless statement that the "heavenly man," the οὐράνιος ἄνθρωπος (who is merely an idea), is "neither man nor woman." This doctrine, however, becomes quite intelligible in view of the following ancient Midrash.

Midrash[edit]

The remarkable contradiction between the two above-quoted passages of Genesis could not escape the attention of the Pharisees, for whom the Bible was a subject of close study. In explaining the various views concerning Eve's creation, they taught[6] that Adam was created as a man-woman (androgynous), explaining זָכָ֥ר וּנְקֵבָ֖ה (Genesis 1:27) as "male and female" instead of "man and woman," and that the separation of the sexes arose from the subsequent operation upon Adam's body, as related in the Scripture. This explains Philo's statement that the original man was neither man nor woman.
This doctrine concerning the Logos, as also that of man made "in the likeness,"[7] though tinged with true Philonic coloring, is also based on the theology of the Pharisees. For in an old Midrash[8] it is remarked:
'Thou hast formed me behind and before' (Psalms 139:5) is to be explained 'before the first and after the last day of Creation.' For it is said, 'And the spirit of God moved upon the face of the waters,' meaning the spirit of the Messiah ["the spirit of Adam" in the parallel passage, Midr. Teh. to cxxxix. 5; both readings are essentially the same], of whom it is said (Isaiah 11:2), 'And the spirit of the Lord shall rest upon him.'
This contains the kernel of Philo's philosophical doctrine of the creation of the original man. He calls him the idea of the earthly Adam, while with the rabbis the spirit (רוח) of Adam not only existed before the creation of the earthly Adam, but was preexistent to the whole of creation. From the preexisting Adam, or Messiah, to the Logos is merely a step.

Talmud[edit]

There is a fundamental theosophical statement by Akiba in the Talmud relative to this topic. He says, in Abot, iii. 14, "How favored is man, seeing that he was created in the image! as it is said, 'For in the image, אֱלֹהִ֔ים made man'" (Genesis 9:6). That "in the image" does not mean "in the image of God" needs no proof; for in no language can "image" be substituted for "image of God." The verse quoted is not that of Genesis 1:27, wherein the creation of man in the image of God is primarily stated. Genesis 9:6 treats only secondarily of man's creation. In fact Akiba does not speak only of the image (צֶ֣לֶם) according to which man was created, but also of the likeness.[9] בְּצֶ֣לֶם really has no other signification than "after the image." Akiba, who denies any resemblance between God and other beings, teaches that man was created after an image, an archetype or an ideal, and interprets Genesis 9:6, "after an image God created man," an interpretation impossible in Genesis 1:27. In the benediction in Ket. 8a, בצלמו בצלם דמות תבניתו, wherein God is blessed because "He made man in His image [בצלמו], in the image of a form created by Him," the concluding explanatory words state, in Akiba's style, that Adam was created after the image of a God-created type (תבנית).

Protogonus[first born] :[A tripartite of Phanes [Love/Eros/Venus/Cupid]+Ericapaeus (Power)+Metis (Thought)], Zeus, Dionysus,.... Preexistence of logos/Christ myth.

8:26 AM | BY ZeroDivide EDIT
 Protogonus[first born] :[A tripartite of Phanes [Love/Eros/Venus/Cupid]+Ericapaeus (Power)+Metis (Thought)], Zeus, Dionysus,.... Preexistence of logos/Christ myth.
=
Eros 'Desire' 
=
Hermaphroditeness [Hermes+Apradite] = Phanes >>>>>>> dyonysus/Christ

Birth:
1. Chaos+Aether [ as primitive as Gaea and Taetarus]
2.  Nyx ( in orphic tradition Nyx, rather than Chaos is the primordial being)
3. Time (Aion)
4. Chronos (Time) and Ananke (Necessity)
Creator god. Protogonus (Protogonos) was the first god to be born from the Cosmic Egg (World Egg), which Chaos and Aether had reproduced, according to the Orphic Creation Myths. Protogonus named mean "First Born", and it was he who had created the universe.

Protogonus have three different names. Protogonus was popularly known by another name as Phanes, the golden-winged god of light and love. His other names were Ericapaeus (Power) and Metis (Thought). These three different names represent the three different aspects of Protogonus' powers.

Protogonus was the first supreme ruler of the universe.

Most scholars identified Phanes/Protogonus with Eros, the Greek primeval god of love. Like in Hesiod's account about the Creation, Phanes/Protogonus/Eros sprung out of Chaos at the same time as Gaea and Tartarus, so Eros was a primeval god, unlike later myths, where he was known to the Hellenistic as the mischievous son of Aphrodite (Venus), whom the Roman called Cupid. As Eros, he was often called Bromios (Thunderer), which is the same epithet as Dionysus.

There is some confusion of whether Nyx (Night) was his mother, wife or daughter. The source that I have with me is that Nyx was his daughter, whom he had sex with, to beget Heaven (Uranus) and Earth (Gaea).

As Phanes, he was seen a sun god or the god of light. Phanes has four eyes, and heads of various animals. Phanes was depict as a sexless god or a god with both sexes (androgynous being, ie a Demiurge) with golden wings. Phanes was also invisible but he radiated pure light. = Luifer

Protogonus or Phanes had also been identified with the god Zagreus or Dionysus, or he is Dionysus. When Zeus became powerful, he had swallowed Protogonus and all things that Protogonus had created. Zeus then recreated a new world. Then Zeus copulated with his own daughter, Persephone, and Protogonus was reborn as Zagreus or Dionysus. But the Titans had killed Zagreus, but Zeus saved the heart. Zeus swallowed Zagreus' heart and then mated with a mortal woman named Semele, and she gave birth to Dionysus, the reincarnation of Protogonus/Zagre

,.... Greek NameTransliterationLatin SpellingTranslationΦανηςPhanêsPhanesBring to Light



Phanes hatched from the world egg &
circled by the zodiac, Greco-Roman
bas relief C2nd A.D., Modena Museum

PHANES was the Protogenos (primeval god) of procreation in the Orphic cosmogony. He was the primal generator of life, the driving force behind reproduction in the early cosmos. Phanes was hatched from the world egg (the primordial mixture of elements) when it was split into its constituent parts by the ancient gods Khronos (Time) and Ananke(Inevitability). Phanes was the first king of the universe, who passed the royal sceptre on to his daughter Nyx (Night),who in turn handed it down to her son Ouranos (Heaven). From him it was first seized by Kronos (Time), and then by Zeus, the ultimate ruler of the cosmos. Late the Phanes is reincarnated in Zeus's son Dionysus. Some say Zeus devoured Phanes in order to assume his primal cosmic power and redistribute it amongst a new generation of gods--the Olympians which he sired.

The Orphics equated Phanes with the Elder Eros (Sexual Desire) of Hesiod's Theogony, who emerged at the beginning of time alongside Khaos (Air) and Gaia (Earth). Phanes also incorporated aspects of other primordial beings described by various ancient writers including ThesisPhusis,OphionKhronos and Ananke. Phanes also appears in myth in the guise of Metis (i.e. Thetis, Thesis, creation), the goddess devoured by Zeus, and Tethys, the nurse of all. However these two divinities in the majority of Greek literature remain far-removed from the concept of creator-gods.

Phanes was portrayed as a beautiful golden-winged hermaphroditic [ a derivative of Hermes and Aphrodite] deity wrapped in a serpent's coils. The poets describe him as an incorporeal being invisible even through the eyes of the gods. His name means "bring to light" or "make appear" from the Greek verbsphanaô and phainô.

PARENTS[1.1] Hatched from the WORLD-EGG by KHRONOS & ANANKE (Orphic Rhapsodies 66, Orphic Argonautica 12, Orphic Frag 54)
[1.2] POROS & PENIA (Plato calls him Eros) (Plato Symposium 187)
[2.1] HYDROS & GAIA (Orphic Frag 57)OFFSPRING[1.1] NYX (Orphic Argonautica 12, Orphic Fragment 101)