Sethians

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The Sethians were a Gnostic sect during the Roman era. Alongside Valentinianism, Sethianism was one of the main currents of Gnosticism during the 2nd to 3rd centuries. Their thinking, though it is predominantly Judaic in foundation, is arguably strongly influenced by Platonism. Sethianism attributed its gnosis to Seth, third son of Adam and Eve and Norea, wife of Noah (who also plays a role in Mandeanism and Manicheanism).

Mentions of the Sethians[edit]

The Sethians (Latin Sethoitae) are first mentioned, alongside the Ophites, in the 2nd century, by Irenaeus and in Pseudo-Tertullian (Ch.30).[1][2]
According to Frederik Wisse (1981)[3] all subsequent accounts appear to be largely dependent on Irenaeus.[4] Hippolytus repeats information from Irenaeus. According to Epiphanius of Salamis (c.375) Sethians were in his time found only in Egypt and Palestine, although fifty years before they had been found as far away as Greater Armenia (Panarion 39.1.1 2; 40.1).[5] One of the sources of Epiphanius, the lost Syntagma of Hippolytus of Rome, was also the source for Christian heresies before Noetus in Philaster's Catalogue of heresies. Nathaniel Lardner (1838) noted that Philaster places theOphites, Cainites, and Sethians as pre-Christian Jewish sects.[6] However, since Sethians identified Seth with Christ (Second Logos of the Great Seth), Philaster's belief that the Sethians had pre-Christian origins, other than in syncreticabsorption of Jewish and Greek pre-Christian sources, has been not found acceptance in later scholarship.[7]

Sethian texts[edit]

Most surviving Sethian texts are preserved only in Coptic translation of the Greek original. Very little direct evidence of Gnostic teaching was available prior to the discovery of the Nag Hammadi library, a collection of 4th-century Coptic translations of Gnostic texts which were apparently hidden in reaction to Athanasius of Alexandria's Easter letter of 367 which banned the use of non-canonical books. Some of these texts are known to have been in existence in the 2nd century, but it is impossible to exclude the presence of later syncretic material in their 4th-century translations.

Teachings[edit]

Commonly, the Sethian cosmogonic myth describes an intended prologue to the events of Genesis and the rest of the Pentateuch, which by its emendation brings about a radical reinterpretation of the typical orthodox Jewish conception of creation, and the divine's relation to reality. This myth is typically presupposed by Sethian manuscripts, and occasionally by those of later schools. Many of their concepts derived from a fusion of Platonic or Neoplatonic concepts with the Old Testament, as was common in Hellenistic Judaism, exemplified by Philo (20 BC - 40 AD).
The Sethian cosmogony was most famously contained in the Apocryphon of John, which describes an Unknown God, the same as Paul had done in the Acts of the Apostles 17:23. While one conception defines God through a series of explicit positive statements called cataphatic theology, themselves universal but in the divine taken to their superlative degrees: as well as being explicitly male, he is omniscient and omnipotent. The Sethian conception of God is, by contrast, defined through negative theology exclusively: he is immovable, invisible, intangible, ineffable. This Apophatic Theology (Negative theology) mode of thinking about God is found throughout Gnosticism and also has precedents in some Judaic sources (for example, the theology of Maimonides[clarification needed]).

The emanation of the spiritual universe[edit]

The original "Unknown God" went through a series of emanations, during which its essence is seen as spontaneously expanding into many successive 'generations' of paired male and female beings, called 'aeons'. The first of these is Barbelo, a figure common throughout Sethianism, who is coactor in the emanations that follow. The aeons that result can be seen as representative of the various attributes of God, themselves indiscernible when not abstracted from their origin. In this sense, Barbelo and the emanations may be seen as poetic devices allowing an otherwise utterly unknowable God to be discussed in a meaningful way amongst initiates. Collectively, God and the aeons comprise the sum total of the spiritual universe, known as the Pleroma.
At this point the myth is still only dealing with a spiritual, non-material universe. In some versions of the myth, the Spiritual Aeon Sophia imitates God's actions in performing an emanation of her own, without the prior approval of the other aeons in the Pleroma. This results in a crisis within the Pleroma, leading to the appearance of the Yaldabaoth, a 'serpent with a lion's head'. This figure is commonly known as the demiurge, after the figure in Plato's Timaeus. (Gr. δημιουργός dēmiourgós, Latinized demiurgus, meaning "artisan" or "craftsman")[8] This being is at first hidden by Sophia but subsequently escapes, stealing a portion of divine power from her in the process.

The creation of matter[edit]

Using this stolen power, Yaldabaoth creates a material world in imitation of the divine Pleroma. To complete this task, he spawns a group of entities known collectively as Archons, 'petty rulers' and craftsmen of the physical world. Like him, they are commonly depicted as theriomorphic, having the heads of animals. Some texts explicitly identify the Archons with the fallen angels described in the Enoch tradition in Judaic apocrypha. At this point the events of the Sethian narrative begin to cohere with the events of Genesis, with the demiurge and his archontic cohorts fulfilling the role of the creator. As in Genesis, the demiurge declares himself to be the only god, and that none exist superior to him; however, the audience's knowledge of what has gone before casts this statement, and the nature of the creator itself, in a radically different light.
The demiurge creates Adam, during the process unwittingly transferring the portion of power stolen from Sophia into the first physical human body. He then creates Eve from Adam's rib, in an attempt to isolate and regain the power he has lost. By way of this he attempts to rape Eve who now contains Sophia's divine power; several texts depict him as failing when Sophia's spirit transplants itself into the Tree of Knowledge; thereafter, the pair are 'tempted' by the serpent, and eat of the forbidden fruit, thereby once more regaining the power that the demiurge had stolen.
As is evident, the addition of the prologue radically alters the significance of events in Eden; rather than emphasizing a fall of human weakness in breaking God's command, Sethians (and their inheritors) emphasize a crisis of the Divine Fullness as it encounters the ignorance of matter, as depicted in stories about Sophia. Adam and Eve's removal from the Archon's paradise is seen as a step towards freedom from the Archons, and the serpent in the Garden of Eden in some cases becomes a heroic, salvific figure rather than an adversary of humanity or a 'proto-Satan'. Eating the fruit of Knowledge is the first act of human salvation from cruel, oppressive powers.

Summary of the Text and its Cosmology[edit]

There are currently four surviving copies of The Secret Revelation of John. They are largely the same in their basic structure and content. One notable difference between the codices is their individual length. The Berlin Codex and Nag Hammadi Codex III are shorter than the Nag Hammadi Codices I and II. One point of departure between codices is the portrayal of the Savior/Christ figure. The Berlin Codex generally uses the term “Christ” more frequently, whereas the Nag Hammadi Codex III narrative often substitutes the term “Lord” or “Savior”. However, the Nag Hammadi Codex III closes its text with the prayer “Jesus Christ, Amen.” An additional distinction, with regards to the Christian framing of the texts, is that Nag Hammadi Codex III goes into greater detail about the descent of the Christ/Savior figure into the prison-world of Demiurge and his role in facilitating the reawakening and liberation of mankind. These distinctions may represent a certain degree of variation in the way that Gnostic cosmology was woven into a Christian context.
The below summary of the Apocryphon is derived from Wisse’s translation.
The text begins with John describing his own state of grief and bewilderment after Christ’s crucifixion. The Savior then appears, takes various forms, and after banishing John’s fears, provides the following cosmological narrative.
The highest divine principle is the Monad. The Monad is described as a “monarchy with nothing above it”. He is supreme, absolute, eternal, infinite, perfect, holy and self-sufficient. However, his transcendent ineffability is also emphasized. He is neither quantifiable nor can his qualities ever truly be described. The Monad exists in inconceivable perfection.
The Monad produces from his thought a feminine divine entity or principle named Barbelo. She is described as “the first thought”, and the “image” of the Monad. While Barbelo is always referred to as a ‘she’, she is also described as both the primordial mother and father. She is also regarded as “the first man” and described in various terms of androgyny. She is the first of a class of beings referred to as the Aeons, and an exchange between herself and the Monad brings the other Aeons into being. Additionally, the properties of Light and Mind are born from the Monad’s reflection on Barbelo. Light is synonymous with Christ, also called “Christ the Autogenes”. The Light and the Mind engage in further creative activity, aided by and glorifying the superior principles of Barbelo and the Monad. Together, they bring forth further Aeons and powers.
Eventually, one of the Aeons, Sophia “of the Epinoia”, disrupts the harmony of these processes by engaging in creative activity without the participation or consent of the Spirit of the Monad and without the aid of a male consort. The creative power of her thought produces an entity named Yaltabaoth, who is the first of a series of incomplete, demonic entities called the Archons. Yaltabaoth, whose character is malevolent and arrogant, also has a grotesque form. His head is that of a lion while he possesses a serpentine body. Recognizing the deformed, imperfect nature of her offspring, Sophia attempts to conceal it somewhere where the other Aeons will not discover it. The act of hiding Yaltabaoth also has the result that Yaltabaoth himself remains ignorant of the upper world and the other Aeons.
Despite the fact that Yaltabaoth possesses only a single parent and was created without the consent of the Spirit of the Monad, he is powerful enough to mimic the creative processes of the superior Aeons. He creates a whole host of other Archons, each of whom share his own basically deficient character, and creates a world for them to inhabit. This world is fundamentally inferior to the world above. It is fashioned out of darkness, but animated by light stolen from Sophia. The result is a world that is neither “light nor dark” but is instead “dim”. In his arrogance and ignorance, Yaltabaoth declares himself the sole and jealous God of this realm. Recognizing the imperfection of Yaltabaoth and his counterfeit world, Sophia repents. In forgiveness of her error, the Spirit of the Monad assists the other Aeons and powers in an attempt to redeem Sophia and her bastard creation. During this process Yaltabaoth and his angels hear the voice of the Monad’s Spirit. While they are terrified by the voice, its echo leaves a trace of an image of the Spirit on the “waters” that form the roof of their realm. Hoping to harness this power for themselves, they attempt to create a copy of this image. The end result of this process is the first human man, Adam. Recognizing an opportunity to retrieve the light imprisoned in the darkness of Yaltabaoth and his world, Sophia and agents of the higher order, referred to variously as the ‘plenoria’ or the ‘Epinoia’, and later as the ‘pleroma’, devise a scheme. They trick Yaltabaoth into blowing his own spiritual essence into Adam. This simultaneously animates Adam and empties Yaltabaoth of the portion of his being derived from Sophia.
Seeing the luminosity, intelligence and general superiority of the now animate Adam, Yaltabaoth and the Archons regret their creation and do their best to imprison or dispose of him. Failing to do so, they then attempt to neutralize him by placing him in the Garden of Eden. In this narrative, the Garden of Eden is a false paradise where the fruit of the trees is sin, lust, ignorance, confinement and death. While they give Adam access to the tree of Life, they conceal the Tree of Knowledge of Good and Evil. According to this narrative, the Tree actually represents the penetration of the positive forces of the higher world and the Epinoia into Yaltabaoth’s realm.
At this point in the narrative, Christ reveals to John that it was he who caused Adam to consume the fruit of the Tree of Knowledge. Additionally, it is revealed that Eve is a helper sent by agents of the higher order to help liberate the light imprisoned in Yaltabaoth’s creation and in Adam. She is created when Yaltabaoth attempts to draw the light out of Adam. This results in the creation of the female body. When Adam perceives her, he sees a reflection of his own essence and is freed from the bewitching power of Yaltabaoth.
The narrative then details Yaltabaoth’s attempts to regain control over the essence of Light. His primary scheme is to initiate the activity of human reproduction, by which he hopes to create new human bodies inhabited by a counterfeit spirit. This counterfeit spirit allows Yaltabaoth and his agents to deceive the human race, keeping them in ignorance of their true nature, and is the primary means by which Yaltabaoth keeps humanity in subjugation. It is the source of all earthly evil and confusion, and causes people to die “not having found truth and without knowing the God of truth”. Following this revelation, the narrative then takes the form of a series of questions and answers between John and the Savior. These address a number of subjects, but are largely soteriological in nature. John asks Christ whom is eligible for salvation, and Christ responds with the answer that those who come in contact with the true Spirit will receive salvation, while those who are dominated by the counterfeit spirit will receive damnation. Christ also reveals his own role as a liberating agent of the higher realm, in this context. Christ, who describes himself as the “remembrance of the Pronoia” and “the remembrance of the pleroma”, brings light into the darkness of Yaltabaoth’s prison. Here, he rouses the prisoners to wakefulness and remembrance. Those who receive and are woken by Christ’s revelation are raised up and “sealed… in the light of the water with five seals”. They are thus spared from death and damnation. This aspect of Christ’s role is elaborated on more fully by Nag Hammadi Codex III, whereas it is omitted from the Berlin Codex.
This concludes Christ’s message. Finally, the savior states that anyone who shares these revelations for personal profit will be cursed. The Nag Hammadi Codex III version of the text ends with the prayer, “Jesus Christ, Amen”.
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