Wisdom from Lame Deer, Seeker of Vision

11:33 AM | BY ZeroDivide EDIT

Wisdom from Lame Deer, Seeker of Visions

Posted on 24 Jun | 0 comments
Wisdom from Lame Deer, Seeker of Visions
The revelation of the NSA’s PRISM surveillance program reminded me of my earlier presentation at the sixth annual Society for Humanistic Psychology conference. I presented on Lame Deer, a Lakota Sioux medicine man, whose critiques of western culture (circa 1971) and his antidotes that are very similar to those of humanistic psychology.
I want to share his critiques here because it is not inconceivable that the fate of the American Indian might be a fate that all Americans might face with our shrinking civil liberties. In particular, he warns us against the loss of the sacred and the un-sustainability of our environmental actions—something that is apparently just coming to our attention. Lame Deer distinguishes the Indian from the “white man,” but I think it fair to substitute the term “Western Culture,” although we could certainly also use the term “corporate culture.”
Lame Deer sees Western Culture as a soul-sickness
1. Western Culture sees everything as money and is constantly stealing/hoarding.
“You have raped and violated these lands, always saying, ‘Gimme, gimme, gimme,’ and never giving anything back. You have despoiled the earth, called things dead that are alive (rocks and minerals) but also ‘domesticated’ animals to the point they have no power, bred animals into ‘toy dogs’ and caged chickens to grow breasts so big they can stand.“ (p 120)
2. The symbols of Western Culture is the cage.
“Square is white man’s symbol: Everything is square your house, office, door, dollar bill, and jail. Your gadgets—TV, radios, washing machine, computers, cars. Everything has sharp corners and edges, blocks of time, even terms for people are ‘straight’ and ‘square’.... You become a prisoner inside all of these boxes.” (p. 111)
“So, you hardly see an eagle these days. The bald eagle is your symbol. You see him on your money, but your money is killing him. When people start killing off their own symbols, they are in a bad way.”
3. Western Culture has domesticated men and women into workers and housewives-who live in neighborhoods but have no community.
“You have not only altered, declawed and malformed your winged and four-legged cousins; you have done it to yourselves. You have changed men into chairmen of the board, into office workers, into time-clock punchers. You have changed women into housewives, a truly fearful creature.” (p. 120) Don’t smoke, don’t leave drink there, don’t do this, don’t do that, don’t….
“To the Indian kid the white boarding school comes as a terrific shock. He is taken from his warm womb to a strange, cold place. It is like being pushed out of a cozy kitchen into a howling blizzard” (p.27).
4. Western Culture hides death and is afraid of death and the world it created.
Americans want to have everything sanitized. No smells! No B.O. or bad breath or feminine odor! “I think white people are so afraid of the world they created they don’t want to see, feel, smell or hear it….You are spreading death, buying and selling death. With all your deodorants, you smell of it, but you are afraid of its reality; you don’t want to face up to it. You have sanitized death…” (p. 121).
5. Western Culture made man into a “consumer” not a human being.
Sioux call white man the “fat-takers” because “[Y]ou have taken the fat of the land. But it does not seem to have agreed with you. Right now you don’t look so healthy—overweight, yes, but not healthy. Americans are bred like stuffed geese—to be consumers, not human beings” (p. 37).
Similarities between Lame Deer’s philosophy and Humanistic Psychology
1. Human life needs meaning, aliveness, and connectivity.
“Why do Indians drink? To forget when the land used to be ours: no highways, factories or fences. Because we are not men we are minors. We can’t own money, paint our houses the color we want. The reservations (instant slums) made us beggars living on handouts, life with no possibility of honor” (p. 74). “If you get a job you have to obey others, never talk back so you drink to forget the person you’ve become…. You drink because you don’t live; you just exist. That might be enough for some people; it is not enough for us” (p. 75). Man needs a pathway to honor (p. 87). “[We need] to gain confidence to run our affairs, to direct our own destiny, to be your own man—that’s what we are striving for” (p. 100).
2. Humans need community=sharing, cooperation, non-ownership, being-with.
“In their own homes Indian children are surrounded with relatives as with a warm blanket. Parents, grandparents, uncles, aunts, older brothers and cousins are always fussing over them, playing with them or listening to what they have to say…. Indian children are never alone. If the grown-ups go someplace, the little ones are taken along. Children have their rights just as the adults” (p. 27).
3. Creativity—Visions are the pathway to the creative well. Dreams and making art are sacred paths—not valued in the West.
“Artists are the Indians of the white world. They are called dreamers who live in the clouds, improvident people who can’t hold onto their money, people who don’t want to face ‘reality’” (p. 37). The realm of the imagination is the “world from which I get my visions. I tell you this is the real world, not the Green Frog Skin World. That’s only a bad dream, a streamlined, smog-filled nightmare” (p. 37).
4. Holism—Humans are responsible for their environment, for the animals, and others.
“When we killed a buffalo, we know what we were doing. We apologized to his spirit, tried to make him understand why we did it, honoring with a prayer the bones of those who gave their flesh to keep us alive; praying for their return, praying for the life of our brothers, the buffalo nation…. To us life, all life, is sacred” (p. 121).
“[T]he great spirit pours a great, unimaginable amount of force into all things—pebbles, ants, leaves, whirlwinds—whatever you will. Still there is so much force left over that’s not used up, that is in his gift to bestow, that has to be used wisely and in moderation if we are given some of it” (p. 114).
“We Sioux spend a lot of time thinking about everyday things which in our mind are mixed up with the spiritual. We see in the world around us many symbols that teach us the meaning of life” (p. 107).
“You have love for all that has been placed on this earth, not unlike the love of a mother for her son, or of a son for his mother, but a bigger love which encompasses the whole earth. You are just a human being, afraid, weeping under that blanket, but there is a great space within you to be filled with that love. All of nature can fit in there” (p. 139).
5. Therapy as Freedom seeking—Freedom is finding a path to honor and self-directedness. A person is going to go down a lot of wrong paths. Seeking is an active process. Humans must be multi-dimensional.
“There were still many things I had to be—an outlaw, a prisoner and a roamer, a sheepherder and a bootlegger, a rodeo rider and a medicine man. Still wanted to lead many lives, finding out who I was” (p. 34).
“I was slowly forming an idea of where I wanted to go. I could dimly see my place, but I could also see a number of different roads leading up to it and I did not yet know which one to take. So I tried them all, coming to many dead ends” (p. 34).
“You have to be God and devil, both of them. Being a good medicine man means being right in the midst of the turmoil, not shielding yourself from it. It means experience life in all its phases. It means not being afraid of cutting up and playing the fool now and then. That’s sacred too…. Sometimes the bad side gives me more knowledge than the good side (p. 76).
6. Therapy as Healing—not one method. Healer learns the basics from teachers/tradition but must find own path to help others.
“You are sacrificing yourself here to be a medicine man. In time you will be one. You will teach other medicine men. We are the fowl people….You will learn about herbs and roots, and you will heal people. You will ask them for nothing in return. A man’s life is short. Make yours a worthy one” (p. 6).
The final quote is from another Medicine Man, Peter Catches. Here, he talks about becoming who you are:
“We live off nature, my wife and I; we hardly need anything. We will somehow live. The Great Spirit … takes care of me, waters me, feeds me and makes me live with the plants and animals as one of them. This is how I wish to remain, an Indian, all the days of my life. This does not mean that I want to shut myself off. Somehow many people find their way to my cabin. I like this. I want to be in communication, reach out to people everywhere, impart a little of our Indian way….
“At the same time, I want to withdraw further and further away from everything, to live like the ancient ones…. Someday I’ll still move my cabin farther into the hills, maybe do without a cabin altogether become part of the woods. There the spirit still has something for us to discover—an herb, a sprig, a flower… and you can spend a long time in its contemplation thinking about it….
“So as I get older, I burrow more and more into the hills. The Great Spirit made them for us, for me. I want to blend with them, shrink into them and finally, disappear in them” (p. 140-1).
References
Lame Deer & Erodes, R. (1994). Lame Deer, seeker of visions. New York, NY: Simon & Schuster Paperbacks.
-- Richard Bargdill

Lame Deer, Seeker of Visions (Enriched Classics)

11:30 AM | BY ZeroDivide EDIT

 Dialogues
Colonialism in North America did not stop with the Revolution of 1776. It had new names: "Westward expansion", "Manifest Destiny"; but those who were called pioneers still did the same things based on the same values that caused colonialism in the first place. The text, Lame Deer Seeker of Visions was originally published in 1972 and is the story of both Lame Deer and the Lakota nation as they were affected by our expansion. It gives us the history and brings us up to date on the continued oppression of America's native population.
The Authors
John (Fire) Lame Deer was born around the turn of the last century on the Rosebud Reservation in South Dakota. He is a full-blooded Sioux and has been many things in his life including a rodeo clown, a painter, a sheep herd, and a thief. Above all, though, he was a Lakota holy man.
Richard Erdoes was born in the old Austro-Hungarian Empire. He would read books that, though not historically accurate, cast American Indians in the role of hero. After he grew up, he moved to the United States to escape Nazi rule. He met Lame Deer during Martin Luther King Jr.'s peace march in New York city in 1967. This was the beginning of the collaboration that would last the next four years. Richard has since written several more books.

In Lame Deer, we are seeing the result of five hundred years of colonization and expansion on one person. It relates directly toMorning Girl because of the ending when Columbus lands on the island. The epilogue which is an excerpt from Columbus' journal reflects the same ideals which the Lakota people have to deal with even in the twentieth century: "a people who would better be freed [from error] and be converted to our Holy Faith by love than by force" (Dorris, 95). Although we are no longer converting to the 'Holy Faith', there are still attempts to civilize the native people.
The idea conversion of ideals is prevalent in Lame Deer, as he spent much of his youth in schools sponsored by the BIA (Bureau of Indian Affairs) being forced to learn American language and ways. This relates to themes in Robinson Crusoeand The Life of Olaudah Equiano. Robinson Crusoe tries to convert Friday, the native he saves, by teaching him the bible. The Equiano relates his conversion and learning civilized behavior. Both books seem to put conversion in a good light, but one must consider the audience they were meant for: Robinson Crusoe was meant for white Europeans that believed in the same things, and Equiano was meant for English parliament. One other book that relates the attempted civilization of a savage is Tarzan of the Apes. Although in this case it is a white noble, Lord Greystoke, that is raised by apes.
Conversion and civilization relates to religious ideals of both the colonizers and those colonized. Lame Deer states that the "religion" of his people is more an inherent thing. It is even shown in their symbolism: "What appears commonplace to you seems wondrous to us through symbolism. This is funny because we don't even have a word for symbolism, yet we are all wrapped up in it" (Lame Deer, 108). Christian ideals supported conversion as a reason for colonization.
 Notes
Lame Deer begins by recounting his vision quest and naming. He uses this story to move into his own childhood and family history. He says, "I am a medicine man and I want to talk about visions, spirits, and sacred things. But you must know something about the man Lame Deer before you can understand the medicine man Lame Deer" (Lame Deer, 8).
Lame Deer's childhood was spent on the reservations growing up with his grandparents in a traditional manner. He did not even have contact with a white man until he was five. As he got older and tales of a bogeyman did not scare him anymore, his grandparents would say, "go to sleep or the Wasicun will get you." Unfortunately, eventually they did.
Sometime between six and seven (the book is not specific as to when) Lame Deer was sent to white man's school for the first time. He describes it as being very militaristic. At fourteen he was sent to boarding school which was a real horror for him as he had never been away from his family.
In the book, he also talks about the "Green Frog Skin" or money. He explains that in his native culture there is no concept of money, that's why so many of his people have trouble with it. He talks a lot about how we cling to it and how much better things would be without it, stating many specific troubles it has caused.
After a bit about his adult life, the book takes a turn to the present (late 1960's). It weaves it's way in between Lame Deer's talks with Richard Erdoes and bits about his life. There are many bits that help to learn about his culture and people.
The book ends with a brief autobiography of Richard Erdoes, telling how he came to meet Lame Deer. Richard has an equally colorful background with his history and bouncing from relative to relative with different religious denominations in Europe.
 Links
***Pineridge This is a very well put together site that used a linked timeline to detail the history of the Lakota nation. It's use of the Internet medium and graphics in the new version would be very useful for teaching younger groups. It also includes the old version for less advanced systems which is equally well made.
***White Buffalo Calf Woman Online version of the story of how White Buffalo Calf Woman brings the first pipe as told by Lame Deer. This is a very important story as the pipe is central to Lakota sacred tradition. It also includes links to other sites and stories.
**Trophies of Honor Online gallery of indigenous art. Most of our exposure to native art today is tourist crafts like blankets, and dreamcatchers. This site shows that native arts are alive and accessible.
**Tribute Oglala Lakota Sioux history This site tells about some important points of Oglala Lakota Sioux History. It is well written and includes links to other pertinent sites.
*New Advent History of the Sioux
 Teaching
Lame Deer, Seeker of Visions is a good way to help students understand the history of the Lakota people. It can also be taught as a way to understand the plight of Native Americans in a modern context. It should be understood that the book is also a potent personal narrative. It can be used to help take away the "stoic Indian" stereotype because Lame Deer is very human and his sense of humor shows through in the book. Students may even be asked if they can identify with him or different parts of the narrative.
 Citations
Lame Deer, John; Erdoes, Richard . Lame Deer, Seeker of Visions. Washington Square Press, 1994.
Dorris, Michael. Morning Girl. New York, United States: Hyperion,
1999.

Las Vegas Pyramid

11:18 AM | BY ZeroDivide EDIT
Luxor Las Vegas
Luxor Las Vegas logo.svg
Sphinx at the Luxor 2.jpg
Address3900 Las Vegas Blvd South.
Las VegasNevada 89119
Opening dateOctober 15, 1993
ThemeThebes
Number of rooms4,407
Total gaming space120,000 sq ft (11,000 m2)
Permanent showsJabbawockeez
Carrot Top

Fantasy
Criss Angel Believe
Menopause the Musical
Signature attractionsLAX Nightclub
Cathouse
Ultra Lounge
Noir Bar
Atrium Level
Aurora
Liquidity
Titanic: The Artifact Exhibition
Bodies…The Exhibition
Casino typeLand-Resort
OwnerMGM Resorts International
Renovated in1998, 2007, 2008, 2009
Coordinates36°5′43.67″N115°10′32.94″WCoordinates36°5′43.67″N 115°10′32.94″W
Websitewww.luxor.com
Luxor Las Vegas is a hotel and casino on the Las Vegas Strip in Paradise, Nevada. The 30-story hotel, owned and operated by MGM Resorts International, has a 120,000-square-foot (11,000 m2) casino with over 2,000 slot machines and 87 table games.[1][2][3]
Due to the 2008 to 2009 renovation, it has a new, highly modernized design and contains a total of 4,407 rooms, including 442 suites, lining the interior walls of a pyramid-shaped tower and within more recent twin 22-story ziggurat towers.[1][3][4][5]
The hotel is named after the city of Luxor (ancient Thebes) in Egypt.[6] Luxor is the fourth-largest hotel in Las Vegas and the seventh largest in the world.[7] As of 2010, the Luxor has a 4 Key rating from the Green Key Eco-Rating Program, which evaluates "sustainable" hotel operations.[8]

History[edit]

View of the pyramid also showing the two additional hotel towers
Ground was broken for the Luxor in April 1991 and the resort officially opened eighteen months later at 4 AM on October 15, 1993, to a crowd of 10,000 people.[9][10][11] When it opened, the pyramid, which cost $375 million to build, was the tallest building on the strip and contained 2,526 rooms and a 100,000 sq ft (9,300 m2) casino.[4][12][13] The resort was financed by “petty cash” earned from other Circus Circus Enterprises properties and did not include any outside financial investors.[9] The hotel's pyramid is similar in size to the Red Pyramid and Bent Pyramid of Egypt.
A theater and two additional towers totaling 2,000 rooms were added in 1998 for $675 million.[4] When the resort opened, it featured the Nile River Tour which was a river ride that carried guests to different parts of the pyramid and passed by pieces of ancient artwork on a river that encircled the casino.[14] The casino also featured King Tut’s Tomb and Museum, a duplicate of King Tutankhamen’s tomb as found in the Valley of the Kings near Luxor, Egypt.[9] In July 2007, owner MGM Resorts International announced plans to thoroughly renovate the Luxor, spending $300 million to remodel 80 percent of Luxor's public areas, removing much of the ancient Egyptian theme and replacing it with more adult-oriented and modern lounges, restaurants and clubs.[15]
On May 7, 2007, a vehicle exploded in a Luxor Hotel parking garage due to a home-made bomb which left one dead.[16] Local authorities believe the victim, a 24-year-old employee at Nathan’s Famous hot dog restaurant in the Luxor food court, was the intended target. The hotel was not evacuated, operations continued uninterrupted, and the parking structure as well as the casino were undamaged.[17][18]
Luxor Las Vegas includes 20,000 sq ft (1,900 m2) of convention space, four swimming pools and whirlpools, a wedding chapel, Nurture Spa and Salon and 29 retail stores.[7][19][20][21][22] Luxor is also connected to the Mandalay Bay Resort & Casino through The Shoppes at Mandalay Place, a 310-foot (94 m)- long retail sky bridge with retailers such as Urban Outfitters, minus5° Ice Lounge & Lodge, a Guinness Store and a Nike Golf store.[23][23]
The Luxor is home to five shows which consist of "Criss Angel - Believe", "PRiSM" starring the Jabbawockeez, "Fantasy" (a topless revue), comedianCarrot Top, and "Menopause the Musical".[24] Luxor's most recent live show, PRiSM, debuted in May 2013 and stars popular dance crew Jabbawockeez. The show features dance and mime comedy to tell a story themed around black, white and the 7 colors of the spectrum. PRiSM is housed in a new 850-seat theater and a mural of the crew is painted in the lobby by performance artist David Garibaldi.[25]
Luxor's other star show is "Criss Angel - Believe", a collaboration between illusionist Criss Angel and Cirque du Soleil that began in Halloween of 2008.[26] The hotel also hosts “Bodies...The Exhibition,” an educational display on the human body, and “Titanic: The Artifact Exhibition”.[27][28] From 2000 to 2005, the Luxor Theatre was the home of the performance-art show Blue Man Group, which has since moved to the Monte Carlo.[29]
On August 31, 2007, LAX Nightclub officially opened at a party hosted by Britney Spears.[30] A number of other celebrities, including Christina Aguilera, have also hosted events at the club.[31] The two-level, 26,000 sq ft (2,400 m2) venue contains 78 VIP tables and Noir Bar, which according to the Las Vegas Review Journal is an “ultra-elite bar” that is a reservations-only establishment.[30] Additional nightlife destinations within Luxor include CatHouse, Aurora, Liquidity, and Flight.[32][33]
The McDonald's inside of the Luxor food court became the first out of two McDonalds in the entire world to vend Pepsi products instead of Coke products. The second opened up 3 years later in Excalibur.

Machu Picchu and Inca

5:25 PM | BY ZeroDivide EDIT
Machu Picchu
Machu Pikchu
80 - Machu Picchu - Juin 2009 - edit.2.jpg
Map showing location of Machu Picchu in Peru
Map showing location of Machu Picchu in Peru
Shown within Peru
LocationCusco RegionPeru
Coordinates13°09′48″S 72°32′44″W
Height2,430 metres (7,970 ft)
History
Foundedc. 1450
Abandoned1572
CulturesInca civilization
Official name: Historic Sanctuary of Machu Picchu
TypeMixed
Criteriai, iii, vii, ix
Designated1983 (7th session)
Reference No.274
State Party Peru
RegionLatin America and the Caribbean

Practiced Human Sacrifice.
Did not have a writing language.
No IRON. But had Gold.
A man appeared called " Son of the Sun" and built the Empire out of hunter gathere, nomadic people into agriculture based civilization with social hierarchy.
1450-1572

Lagging behind 2000 years from India, 2500 Years from Middle east and 3000 years from Egypt.

Machu Picchu escaped notice from Spanish conqueror. Well preserved.
The Inca referred to their empire as Tawantinsuyu which can be translated as The Four Regions or The Four United Provinces.

There were many local forms of worship, most of them concerning local sacred "Huacas", but the Inca leadership encouraged the worship of Inti - the sun god - and imposed its sovereignty above other cults such as that of Pachamama. The Incas considered their King, the Sapa Inca, to be the "child of the sun." As ancient civilizations sprang up across the planet thousands of years ago, so too the Inca civilization evolved. As with all ancient civilizations, its exact origins are unknown. Their historic record, as with all other tribes evolving on the planet at that time, would be recorded through oral tradition, stone, pottery, gold and silver jewelry, and woven in the tapestry of the people.


Machu Picchu (in hispanicized spelling, Spanish pronunciation: [ˈmatʃu ˈpiktʃu]) or Machu Pikchu (Quechua machuold, old person, pikchu peak; mountain or prominence with a broad base which ends in sharp peaks,[1] "old peak", pronunciation [ˈmɑtʃu ˈpixtʃu]) is a 15th-century Inca site located 2,430 metres (7,970 ft) above sea level.[2][3] It is located in the Cusco RegionUrubamba ProvinceMachupicchu District in Peru.[4] It is situated on a mountain ridge above the Sacred Valley which is 80 kilometres (50 mi) northwest of Cusco and through which the Urubamba Riverflows. Most archaeologists believe that Machu Picchu was built as an estate for the Inca emperor Pachacuti (1438–1472). Often mistakenly referred to as the "Lost City of the Incas", it is the most familiar icon of Inca civilization.
The Incas built the estate around 1450, but abandoned it a century later at the time of the Spanish Conquest. Although known locally, it was unknown to the outside world before being brought to international attention in 1911 by the American historian Hiram Bingham. Since then, Machu Picchu has become an important tourist attraction. Most of the outlying buildings have been reconstructed in order to give tourists a better idea of what the structures originally looked like.[5] By 1976, thirty percent of Machu Picchu had been restored.[5] The restoration work continues to this day.[6]
Since the site was not known to the Spanish during the colonial period, it is highly significant as a relatively intact cultural site. Machu Picchu was declared a Peruvian Historical Sanctuary in 1981 and a UNESCO World Heritage Site in 1983.[3] In 2007, Machu Picchu was voted one of the New Seven Wonders of the World in a worldwide Internet poll.
Machu Picchu was built in the classical Inca style, with polished dry-stone walls. Its three primary structures are theInti Watana, the Temple of the Sun, and the Room of the Three Windows. These are located in what is known by archaeologists as the Sacred District of Machu Picchu.[citation needed]
Machu Picchu is vulnerable to threats. While natural phenomena like earthquakes and weather systems can play havoc with access, the site also suffers from the pressures of too many tourists. In addition, preservation of the area's cultural and archaeological heritage is an ongoing concern.

History[edit]


Hiram Bingham III at his tent door near Machu Picchu in 1912
Machu Picchu was built around 1450, at the height of the Inca Empire.[7] The construction of Machu Picchu appears to date from the period of the two great Incas, Pachacutec Inca Yupanqui (1438–71) and Tupac Inca Yupanqui (1472–93).[8] It was abandoned just over 100 years later, in 1572, as a belated result of the Spanish Conquest.[7][9] It is possible that most of its inhabitants died fromsmallpox introduced by travelers before the Spanish conquistadors arrived in the area.[10] The latter had notes of a place called Piccho, although there is no record of the Spanish having visited the remote city. The types of sacred rocks defaced by the conquistadors in other locations are untouched at Machu Picchu.[9]

View of the city of Machu Picchu in 1912 showing the original ruins after major clearing and before modern reconstruction work began.[5][6]
Although the citadel is located only about 80 kilometers (50 mi) from Cusco, the Inca capital, the Spanish never found it and consequently did not plunder or destroy it, as they did many other sites.[9] Over the centuries, the surrounding jungle grew over the site, and few knew of its existence.
Hiram Bingham was an American historian employed as a lecturer at Yale University; he was not a trained archaeologist. In 1909, on his way back from attending the Pan-American Scientific Congress in Santiago, he traveled through Peru and was invited to explore the Inca ruins at Choqquequirau in the Apurimac Valley, which gave him an interest in Inca ruins, and an introduction to Peruvian President Leguia. He organized the 1911 Yale Peruvian Expedition with one of its objectives to search for the lost city of Vitcos, the last capital of the Incas. He researched sources and consulted Carlos Romero, a historian in Lima who showed Bingham helpful references and Father Calancha’s Chronicle.
Armed with this information, the expedition went down the Urubamba River valley on the new road that was completed in 1895. En route he asked local people to show them Inca ruins. By the time they camped at Mandor Pampa with Huayna Picchu 2000 feet above them on the opposite bank they had already examined several ruins, including five sites that Herman Tucker explored. But none fitted the descriptions they had of Vitcos.
At Mandor Pampa Bingham asked a local farmer and innkeeper, Melchor Arteaga, if he knew of any ruins in the area and he said he knew of some excellent ruins on the top of Huayna Picchu.[11] The next day, 24 July 1911, Arteaga led Bingham and Sergeant Carrasco across the river on a primitive log bridge and up the mountain. At the top of the mountain they came across a small hut occupied by a couple of Quechua, Richarte and Alvarez, who were farming some of the original Machu Picchu agricultural terraces that they had cleared four years earlier. After a rest and refreshments Bingham was led along the ridge to the main ruins by Pablito, the 11-year-old son of Alvarez.[12]
The ruins were mostly covered with vegetation except for the cleared agricultural terraces and clearings used by the farmers as vegetable gardens. Because of the vegetation Bingham was not able to get a full extent of the site. He took some preliminary notes and measurements, took some pictures and observed the fine quality of Inca stonework of several principal buildings. Bingham was unclear of the original purpose of the ruins, but decided that there was no indication that it matched the description of the city of Vitcos.
The expedition continued down the Urubamba and up the Vilcabamba Rivers, examining all the ruins they could find, eventually finding and correctly identifying the site of the old Inca capital, Vitcos, and the nearby temple of Chuquipalta. He then went across a pass and into the Pampaconas Valley where he found more ruins heavily buried in the jungle undergrowth at Espiritu Pampa. Because the site was so heavily overgrown, he only noted a few of the buildings and didn’t appreciate the large extent of the site. In 1964, Gene Savoy [13] did further exploration of the ruins at Espiritu Pampa and revealed the full extent of the site, identifying it as Vilcabamba Viejo where the Incas fled to after the Spanish drove them from Vitcos.
On the return of the expedition up the Urubamba River, Bingham sent two of the team to do some clearing and mapping of the site he referred to as Machu Picchu. As Bingham failed to identify the ruins at Espiritu Pampa as Vilcabamba Viejo, he erroneously theorized that Machu Picchu was Vilcabamba Viejo.
Bingham returned to Machu Picchu in 1912 under the sponsorship of Yale University and National Geographic Society and with full support of Peruvian President Leguia. The expedition undertook a massive four-month clearing of the site with local labor, which was expedited with the auspices of the Prefect of Cuzco. Excavation started in 1912 with further excavation of the site undertaken in 1914 and 1915.
Bingham’s focus on Machu Picchu was because of the fine Inca stonework and the well preserved nature of the ruins that had not been disturbed since it was abandoned. Although Bingham put forward various hypotheses to explain the existence of Machu Picchu, none of them have stood the test of further examination and study. Bingham’s lasting contribution is in publicizing Machu Picchu to the world and undertaking a rigorous and thorough study of the site. Bingham wrote a number of books and articles about the discovery of Machu Picchu, the most popular of which today is "Lost City of the Incas", a retrospective account of his 1911 Yale expedition and his discovery of Machu Picchu, written in 1948 near the end of his life.
During Bingham's archaeological studies, he collected various artifacts which he took back to Yale. One of the more prominent artifacts he recovered was a set of ceremonial Incan knives made from bismuth bronze. These knives were molded in the 15th century and are the earliest known artifacts containing bismuth bronze.[14]
As Bingham's excavations took place on Machu Picchu, local intellectuals began to oppose the operation of Bingham and his team of explorers.[15] Though local institutions were initially enthused at the idea of the operation supplementing Peruvian knowledge about their ancestry, the team began to encounter accusations of legal and cultural malpractice.[15] Local landowners began to demand payments of rent from the excavation team, and rumors arose about Bingham and his team stealing artifacts and smuggling them out of Peru through the bordering country of Bolivia.[15] (In fact Bingham removed many artifacts, but openly and legally; they were deposited in the Yale University Museum.) These accusations worsened when the local press caught wind of the rumors and helped to discredit the legitimacy of the excavation, branding the practice as harmful to the site and claiming that local archaeologists were being deprived of their rightful knowledge about their own history because of the intrusive excavations of the American archaeologists.[15] By the time Bingham and his team left Machu Picchu, locals began forming coalitions in order to defend their ownership of Machu Picchu and its cultural remains, while Bingham claimed the artifacts ought to be studied by experts in American institutions, an argument that still exists today.[15]
The site received significant publicity after the National Geographic Society devoted their entire April 1913 issue to Machu Picchu.
In 1981 Peru declared an area of 325.92 square kilometres (125.84 sq mi) surrounding Machu Picchu as a "Historical Sanctuary". In addition to the ruins, the sanctuary includes a large portion of the adjoining region, rich with the flora and fauna of the Peruvian Yungas and Central Andean wet puna ecoregions.[16]
In 1983 UNESCO designated Machu Picchu a World Heritage Site, describing it as "an absolute masterpiece of architecture and a unique testimony to the Inca civilization".[2]
The World Monuments Fund placed Machu Picchu on its 2008 Watch List of the 100 Most Endangered Sites in the world because of environmental degradation. This has resulted from the impact of tourism, uncontrolled development in the nearby town of Aguas Calientes, which included a poorly sited tram to ease visitor access, and the construction of a bridge across the Vilcanota River, which is likely to bring even more tourists to the site, in defiance of a court order and government protests against it.